To further clarify, you can control everything with the mouse (even the automation of the Doofer). It is also MIDI-mappable, with velocity sensitivity, and is also able to show the notes that are assigned to each sample. The virtual piano has been added on purpose for this. It is even possible to hold several notes at a time to try. This permet to pre-test the loop and modify the rest of the properties comfortably, controlling everything from the mouse. It will allow you to keep the note playing while using your mouse or using the usual keyboard commands to play notes. In addition, the SMC has a virtual piano, easily controllable with the mouse. So, the 8 Macros of the instrument are able to be assigned to each of the 12 available sample properties and up to 6 slices, a novelty that will expand Reniose’s capabilities. Each instance of the SMC was then developed to allow the composer to route each Macro to a particular feature of a sample. The SMC offers up to 16 instances (16 equal windows). Renoise is limited to 8 macros per instrument. * → ] → Linked Instrument (Index) → SMC Instance (with Macros Bridge) The composer can control all of these values via MIDI and different automation methods using a Doofer with up to eight (8) Macros (*Instr. The SMC not only is 100% MIDI mappable, it also allows broad control with the Automation. Beatsync Mode (No Beatsync, Repitch, Percussion, Texture)Īlso, when the instrument is sliced, SMC can control multiple slices, up to 6 (which are properties of the instrument, not of the sample):īut it doesn’t stop there! Controlling - Routing - Automating.Loop Mode (No Loop, Forward, Backward, PingPong). From there, it grew into a mature tool to control a total of 12 different sampler properties: SMC began as a program capable to control sample start and end loop frames focused for the MIDI input. The Sample Multi Controller, also known as SMC is a “window tool” with multiple instances for the manipulation of the sample, exclusively for Renoise.
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